Until recently, original art / strong> the prerogative of art galleries and the rich. The average Joe or Jane in the street was not expected to want to pay their own original artwork, much less be able to. In view of the aristocracy of the art world was concerned, the normal man or woman would simply be duplication of what they said is good. And if the house was decorated with British posters with the robot paintings by old masters. Then pop culture
rebel, the Internet in the rules of the game that the opinion had artistic “normal” people as unfounded and therefore considered worthless. Original Art / strong>, for the first time, is accessible to everyone – everyone takes a bite at the cherry. It was always a funny thing about originality. Something is at home, until everyone wants: to what extent it is normal, mainstream is, short and cautious in the foreground, until something new to replace him. Originality in popular culture is almost impossible to keep. It is also the alpha and omega of popular culture – Everyone wants it, but if too many people, it’s gone. Original Art / strong> is perhaps the first thing ever to escape this trap and still come up trumps with the other side of the equation of popularity all over the world must have some kind of something similar, but the idea ceases to exist of freshness. Original art / strong>, by the originality of his point-cool – the thing with him makes it cool to avoid the dilemma that first cool things become cool. Suddenly, the property definition of a “must-have piece of art is not what it represents, but if someone else has one too many. When other people have copies of something, it’s not original artwork / strong> and is not cool . in the development of the art house comes in the wake of opening up the Internet. In recent years, the Web allows artists to sell their products online only, directly to people who love them. This means that people do not visit by the screening method of galleries where the art is going, that the offer that the owner has chosen the gallery to show. On the Internet, almost all the art in the world available to look to buy lots of it – and discover their likes and dislikes no direct more people to Chic, is unassailable in originality itself. This is the worst nightmare of the institution and the dream of the artist. Original art / strong> directly to the public. These days it’s not what you said, like, but what you really want, which ends on your wall. And best of all.
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